Robotic dogs bearing the likenesses of Elon Musk, Jeff Bezos, Mark Zuckerberg, and other well-known personalities are wandering through a Berlin art gallery, observing guests, creating AI-generated images, and printing them out from their backsides.
The exhibit, titled “Regular Animals,” is the newest creation from digital artist Beeple, whose real name is Mike Winkelmann. It is currently being shown at the Neue Nationalgalerie in Berlin through May 10, 2026.
The exhibition merges robotics, artificial intelligence, celebrity culture, and NFTs into one intentionally bizarre experience. It appears absurd at first glance. Then it gradually starts to feel somewhat unsettling.
Robot Dogs Sporting Billionaire Faces
The exhibit consists of a pack of self-navigating robot dogs equipped with lifelike silicone heads. The faces depict Elon Musk, Jeff Bezos, Mark Zuckerberg, Andy Warhol, Pablo Picasso, and Beeple himself.
Accounts from the exhibition also revealed a robot dog bearing Kim Jong Un’s face. The overall effect resembles a surreal mashup of a tech convention and a museum display.
The dogs roam freely within a contained section of the gallery. They are not merely stationary sculptures. They walk around, scan their surroundings, and engage with the environment around them.
They Observe Visitors, Then Produce AI Art
Each robot dog is fitted with cameras that photograph visitors and the gallery space. The system then employs AI to reinterpret what it captures, filtered through the artistic style or persona associated with each figure.
For instance, the Picasso-inspired dog transforms the room into something resembling a Cubist composition. The Warhol variant gravitates toward pop-art-inspired visuals.
Then comes the element that caused the artwork to spread rapidly online. The dogs print the AI-generated images from their rear ends.
Visitors are welcome to take the prints home at no cost. So, to put it plainly, the robot dogs are strolling through a Berlin museum and “defecating” AI artwork.
Beeple Transforms AI Culture Into a Strange Joke
The piece is humorous, but it is not without purpose. Beeple is leveraging the absurd spectacle of celebrity-faced robot dogs to comment on power dynamics in the digital era.
The work poses a straightforward question: who is shaping culture today?
Historically, artists, newspapers, museums, and governments filled that role. In the present day, algorithms, tech platforms, billionaires, AI systems, and online attention cycles handle much of that influence.
The NFT Component Remains Present
There is also a blockchain dimension to the exhibit. Visitors can apparently claim complimentary NFTs connected to the project by scanning QR codes.
This aligns with Beeple’s background. He rose to become one of the most recognized figures in digital art after his NFT piece “Everydays: The First 5000 Days” fetched more than $69 million in 2021.
Since that milestone, Beeple has come to represent the NFT boom, digital art culture, and the uneasy intersection of technology, wealth, and online hype.
With “Regular Animals,” he appears to be turning that entire world into a self-aware parody.
From Miami to Berlin
The project debuted at Art Basel Miami Beach 2025 before traveling to Berlin for Gallery Weekend Berlin 2026.
Its Berlin showing is also significant because it represents Beeple’s first institutional exhibition in Germany. This lends the work a more serious context than a mere viral internet spectacle.
Nevertheless, the installation is clearly designed to be shared across the internet. Robot dogs with billionaire faces printing AI art from their backsides is practically tailor-made for social media.
Why It Feels Unsettling
The disturbing aspect is not merely the eerie faces. It is the manner in which the work transforms visitors into raw material.
People walk into the gallery, the dogs observe them, AI processes their presence, and the machine produces an image. That sequence mirrors how digital platforms already operate.
We post, click, scroll, and watch. Platforms gather the data, analyze it, and deliver something back to us.
Beeple simply made that cycle tangible. Then he placed a famous face on top of it.
“Regular Animals” arrives at a moment when AI art is already sparking debates about authorship, consent, copyright, and originality.
The installation drives those questions into a more uncomfortable territory. It portrays AI art as something amusing, grotesque, and fully automated.
It also makes the power structure visible. The machines are not anonymous. They wear the faces of individuals and cultural icons tied to wealth, platforms, art, and influence.
So yes, AI art is becoming unsettling.
In Berlin, it now has four legs, a billionaire’s face, a camera, and a built-in printer.
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